Ivyy~

Evre has spent her entire life hiding.

At St. Peter's Academy, she is known as the "Wolfless Omega"—a weak girl with no wolf form and useless magic.

She endures daily bullying from the school elites, especially Sebastian, the boy she foolishly thought was her friend.

To protect her true identity as a high-ranking heir from the North, she keeps her head down and takes the abuse.

But everything changes after a vicious prank goes wrong.

Left for dead in the woods during a full moon, Evangeline is forced to reveal her secret: she isn't wolfless.

She is a rare and powerful White Wolf. Just as she loses control of her new form, she is intercepted by Bradley—the academy’s notorious bad boy and an Alpha who has always seen through her lies.

Now, they are bound by a bond neither of them asked for.

The night leaves Evre marked as Bradley’s fated mate. Suddenly, the school's outcast is under the protection of its most dangerous student.

But this protection comes with a price. Bradley is possessive, demanding, and refuses to let her run back to her old life. With Sebastian plotting revenge and her family closing in,

Evre must decide if she can trust the bad boy who holds her leash—or if she'll fight to break free.

Nina Ellington has spent nineteen years being invisible. To her parents. To the ballet world. To the boyfriend who says he loves her but keeps choosing everything else.

On the night she finally walks away, she crashes into a man with a broken unicorn in his hands and a dead best friend in his heart. Kane Black is everything Jessie isn't: angry, honest, and brutally real.

But he is also Jessie's brother.

When a storm, a bus crash, and a missed competition strand Nina on a Florida highway, the only person who comes looking is the one man she is supposed to avoid. The soldier with granite shoulders and a voice like gravel who tells her to stay away—and then spends the night icing her ankle, buying her ballet shoes, and watching her sleep.

The Spring Gala stage is everything Nina has ever wanted.

The only thing more dangerous than the lights is the way Kane looks at her when he thinks she isn't watching.